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artemisiagentileschi

artemisia gentileschi

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ARTEMISIA GENTILESCHI - Artemisia Lomi or Artemisia Gentileschi (US: , Italian: [arteˈmiːzja dʒentiˈleski]; July 8, 1593 – c. 1656) was an Italian Baroque painter, t...

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Artemisia gentileschi might refer to
Artemisia Lomi or Artemisia Gentileschi (US: , Italian: [arteˈmiːzja dʒentiˈleski]; July 8, 1593 – c. 1656) was an Italian Baroque painter, today considered one of the most accomplished painters in the generation following that of Caravaggio. In an era when female painters were not easily accepted by the artistic community or patrons, she was the first woman to become a member of the Accademia di Arte del Disegno in Florence and had international clientele.She specialized in painting pictures of strong and suffering women from myths, allegories, and the Bible—victims, suicides, warriors. Some of her best known themes are Susanna and the Elders (particularly the 1610 version in Pommersfelden) and Judith Slaying Holofernes (most famous is her 1614–20 version in the Uffizi gallery) and Judith and Her Maidservant (her version of 1625 at the Detroit Institute of Arts).* She was known for being able to convincingly depict the female figure, anywhere between nude and fully clothed. Artemisia was also famous for her skill and talent in handling color, both overall in the composition but also in building depth.That she was a woman painting in the seventeenth century and that she was raped as a young woman by Agostino Tassi and participated in the prosecution of her rapist long overshadowed her achievements as an artist. For many years she was regarded as a curiosity. Today she is regarded as one of the most progressive and expressive painters of her generation, and is due to be celebrated at the exhibition at the National Gallery in London in 2020.

Artemisia gentileschi might refer to

Artemisia Lomi or Artemisia Gentileschi (US: , Italian: [arteˈmiːzja dʒentiˈleski]; July 8, 1593 – c. 1656) was an Italian Baroque painter, today considered one of the most accomplished painters in the generation following that of Caravaggio. In an era when female painters were not easily accepted by the artistic community or patrons, she was the first woman to become a member of the Accademia di Arte del Disegno in Florence and had international clientele.She specialized in painting pictures of strong and suffering women from myths, allegories, and the Bible—victims, suicides, warriors. Some of her best known themes are Susanna and the Elders (particularly the 1610 version in Pommersfelden) and Judith Slaying Holofernes (most famous is her 1614–20 version in the Uffizi gallery) and Judith and Her Maidservant (her version of 1625 at the Detroit Institute of Arts).* She was known for being able to convincingly depict the female figure, anywhere between nude and fully clothed. Artemisia was also famous for her skill and talent in handling color, both overall in the composition but also in building depth.That she was a woman painting in the seventeenth century and that she was raped as a young woman by Agostino Tassi and participated in the prosecution of her rapist long overshadowed her achievements as an artist. For many years she was regarded as a curiosity. Today she is regarded as one of the most progressive and expressive painters of her generation, and is due to be celebrated at the exhibition at the National Gallery in London in 2020.

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