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musicaliza

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The answer MUSICALIZA has 0 possible clue(s) in existing crosswords.

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The word MUSICALIZA is NOT valid in any word game. (Sorry, you cannot play MUSICALIZA in Scrabble, Words With Friends etc)

There are 10 letters in MUSICALIZA ( A¹C³I¹L¹M³S¹U¹Z¹⁰ )

To search all scrabble anagrams of MUSICALIZA, to go: MUSICALIZA?

Rearrange the letters in MUSICALIZA and see some winning combinations

7 letters out of MUSICALIZA

CALAMUS CAMAILS CAMISIA LAICISM MACULAS MUSICAL

6 letters out of MUSICALIZA

AALIIS AMICUS AMUSIA CALAMI CAMAIL CAMISA CASUAL CAULIS CAUSAL CILIUM CLAIMS LAMIAS MACULA MIAULS SALAMI SIALIC SILICA ULAMAS UMIACS ZAMIAS

5 letters out of MUSICALIZA

4 letters out of MUSICALIZA

3 letters out of MUSICALIZA

AAL AAS AIL AIM AIS ALA ALS AMA AMI AMU CAM CIS CUM ISM LAC LAM LAS LIS LUM MAC MAS MIC MIL MIS MUS SAC SAL SAU SIC SIM SUM ZAS

2 letters out of MUSICALIZA

AA AI AL AM AS IS LA LI MA MI MU SI UM US ZA

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Definitions of musicaliza in various dictionaries:

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Musicaliza might refer to
During the reign of Queen Elizabeth I (1558–1603), English art and high culture reached a pinnacle known as the height of the English renaissance. Elizabethan music experienced a shift in popularity from sacred to secular music and the rise of instrumental music. Professional musicians were employed by the Church of England, the nobility, and the rising middle-class. Elizabeth I was very fond of music and played the lute and virginal among others. She also felt that dancing was a great form of physical exercise and employed musicians to play for her while she danced. During her reign, she employed about 70 musicians. The interests of the queen were expected to be adopted by her subjects. All noblemen were expected to be proficient in playing the lute and "any young woman unable to take her proper place in a vocal or instrumental ensemble became the laughing-stock of society." Music printing led to a market of amateur musicians purchasing works published by those who received special permission from the queen. * Despite England's departure from the Roman Catholic Church in 1534, English did not become the official language of the Church of England until the reign of Elizabeth's stepbrother Edward VI. His reign saw many revisions to the function within the Anglican Church until it was frustrated by the succession of Catholic Queen Mary. Queen Elizabeth re-established the Church of England and introduced measures of Catholic tolerance. The most famous composers for the Anglican Church during Queen Elizabeth's reign were Thomas Tallis and his student William Byrd. Both composers were Catholics and produced vocal works in both Latin and English. Secular vocal works became extremely popular during the Elizabethan Era with the importation of Italian musicians and compositions. The music of the late Italian madrigal composers inspired native composers who are now labelled as the English Madrigal School. These composers adapted the text painting and polyphonic writing of the Italians into a uniquely English genre of madrigal. Thomas Morley, a student of William Byrd's, published collections of madrigals which included his own compositions as well as those of his contemporaries. The most famous of these collections was The Triumphs of Oriana, which was made in honour of Queen Elizabeth and featured the compositions of Morley, Thomas Weelkes, and John Wilbye among other representatives of the English madrigalists. * Instrumental music was also popular during the Elizabethan Era. The most popular solo instruments of the time were the virginal and the lute. The virginal was a popular variant of the harpsichord among the English and one of Elizabeth's favourite instruments to play. Numerous works were produced for the instrument including several collections by William Byrd, namely the Fitzwilliam Virginal Book and Parthenia. The lute strung with sheepgut was the most popular instrument of the age. Lutes could be played as solo instruments or as acco...

Musicaliza might refer to

During the reign of Queen Elizabeth I (1558–1603), English art and high culture reached a pinnacle known as the height of the English renaissance. Elizabethan music experienced a shift in popularity from sacred to secular music and the rise of instrumental music. Professional musicians were employed by the Church of England, the nobility, and the rising middle-class. Elizabeth I was very fond of music and played the lute and virginal among others. She also felt that dancing was a great form of physical exercise and employed musicians to play for her while she danced. During her reign, she employed about 70 musicians. The interests of the queen were expected to be adopted by her subjects. All noblemen were expected to be proficient in playing the lute and "any young woman unable to take her proper place in a vocal or instrumental ensemble became the laughing-stock of society." Music printing led to a market of amateur musicians purchasing works published by those who received special permission from the queen.
* Despite England's departure from the Roman Catholic Church in 1534, English did not become the official language of the Church of England until the reign of Elizabeth's stepbrother Edward VI. His reign saw many revisions to the function within the Anglican Church until it was frustrated by the succession of Catholic Queen Mary. Queen Elizabeth re-established the Church of England and introduced measures of Catholic tolerance. The most famous composers for the Anglican Church during Queen Elizabeth's reign were Thomas Tallis and his student William Byrd. Both composers were Catholics and produced vocal works in both Latin and English. Secular vocal works became extremely popular during the Elizabethan Era with the importation of Italian musicians and compositions. The music of the late Italian madrigal composers inspired native composers who are now labelled as the English Madrigal School. These composers adapted the text painting and polyphonic writing of the Italians into a uniquely English genre of madrigal. Thomas Morley, a student of William Byrd's, published collections of madrigals which included his own compositions as well as those of his contemporaries. The most famous of these collections was The Triumphs of Oriana, which was made in honour of Queen Elizabeth and featured the compositions of Morley, Thomas Weelkes, and John Wilbye among other representatives of the English madrigalists.
* Instrumental music was also popular during the Elizabethan Era. The most popular solo instruments of the time were the virginal and the lute. The virginal was a popular variant of the harpsichord among the English and one of Elizabeth's favourite instruments to play. Numerous works were produced for the instrument including several collections by William Byrd, namely the Fitzwilliam Virginal Book and Parthenia. The lute strung with sheepgut was the most popular instrument of the age. Lutes could be played as solo instruments or as acco...

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