Crossword Solver > found answer > OPERASERIA (opera seria)

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operaseria

opera seria

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The answer OPERASERIA (opera seria) has 15 possible clue(s) in existing crosswords.

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The word OPERASERIA (opera seria) is NOT valid in any word game. (Sorry, you cannot play OPERASERIA (opera seria) in Scrabble, Words With Friends etc)

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Definitions of opera seria in various dictionaries:

OPERA SERIA - A drama, either tragic or comic, of which music forms an essential part; a drama wholly or mostly sung, consisting of recitative, arias, choruses, duets, trios, etc., with orchestral accompaniment, preludes, and interludes, together with appropriate costumes, scenery, and action; a lyric drama.

OPERA SERIA - Opera seria (Italian pronunciation: [ˈɔːpera ˈsɛːrja]; plural: opere serie; usually called dramma per musica or melodramma serio) is an Italian...

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Possible Crossword Clues
Many a Scarlatti work
Typical Scarlatti work
Mozart's 'La Clemenza di Tito,' e.g.
Many an Alessandro Scarlatti work
Old form of Italian musical drama
Style of Mozart's "Idomeneo"
Many a Handel work
Work not of the buffa style
Mozart's 'Il Re Pastore,' e.g
Attention-seeker squeezing soft rubber article for entertainment in Italy

Opera seria might refer to
Opera seria (Italian pronunciation: [ˈɔːpera ˈsɛːrja]; plural: opere serie; usually called dramma per musica or melodramma serio) is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to about 1770. The term itself was rarely used at the time and only attained common usage once opera seria was becoming unfashionable and beginning to be viewed as something of a historical genre. The popular rival to opera seria was opera buffa, the 'comic' opera that took its cue from the improvisatory commedia dell'arte. * Italian opera seria (invariably to Italian libretti) was produced not only in Italy but almost throughout Europe, and beyond (see Opera in Latin America, Opera in Cuba e. g.). Among the main centres in Europe were the court operas based in Warsaw (since 1628), Munich (founded in 1653), London (established in 1662), Vienna (firmly established 1709; first operatic representation: Il pomo d'oro, 1668), Dresden (since 1719) as well as other other German residences, Saint Petersburg (Italian opera reached Russia in 1731, first opera venues followed c. 1742), Madrid (see Spanish opera), and Lisbon. Opera seria was less popular in France, where the national genre of French opera (or tragédie en musique) was preferred. * Acclaimed composers of opera seria included Alessandro Scarlatti, George Frideric Handel, Nicola Porpora, Leonardo Vinci, Johann Adolph Hasse, and in the second half of the 18th century Christoph Willibald Gluck, Niccolò Jommelli, Josef Mysliveček, Tommaso Traetta, and Wolfgang Amadeus Mozart. By far the most successful librettist of the era was Metastasio, others were Apostolo Zeno, Ranieri de' Calzabigi and Lorenzo Da Ponte.

Opera seria might refer to

Opera seria (Italian pronunciation: [ˈɔːpera ˈsɛːrja]; plural: opere serie; usually called dramma per musica or melodramma serio) is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to about 1770. The term itself was rarely used at the time and only attained common usage once opera seria was becoming unfashionable and beginning to be viewed as something of a historical genre. The popular rival to opera seria was opera buffa, the 'comic' opera that took its cue from the improvisatory commedia dell'arte.
* Italian opera seria (invariably to Italian libretti) was produced not only in Italy but almost throughout Europe, and beyond (see Opera in Latin America, Opera in Cuba e. g.). Among the main centres in Europe were the court operas based in Warsaw (since 1628), Munich (founded in 1653), London (established in 1662), Vienna (firmly established 1709; first operatic representation: Il pomo d'oro, 1668), Dresden (since 1719) as well as other other German residences, Saint Petersburg (Italian opera reached Russia in 1731, first opera venues followed c. 1742), Madrid (see Spanish opera), and Lisbon. Opera seria was less popular in France, where the national genre of French opera (or tragédie en musique) was preferred.
* Acclaimed composers of opera seria included Alessandro Scarlatti, George Frideric Handel, Nicola Porpora, Leonardo Vinci, Johann Adolph Hasse, and in the second half of the 18th century Christoph Willibald Gluck, Niccolò Jommelli, Josef Mysliveček, Tommaso Traetta, and Wolfgang Amadeus Mozart. By far the most successful librettist of the era was Metastasio, others were Apostolo Zeno, Ranieri de' Calzabigi and Lorenzo Da Ponte.

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