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megilp

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Definitions of megilp in various dictionaries:

noun - a medium for oil-paints

noun - a substance with which pigments are mixed in painting

MEGILP - Megilp also known as Macgilp and McGuilpis is an oil painting medium consisting of a mixture of mastic varnish and an oil medium: such as walnut, li...

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Possible Dictionary Clues
A medium for oil painting, consisting of linseed oil mixed with turpentine or mastic varnish.
a medium for oil-paints linseed oil mixed with mastic varnish or turpentine

Megilp description
Megilp also known as Macgilp and McGuilpis is an oil painting medium consisting of a mixture of mastic varnish and an oil medium: such as walnut, linseed, safflower, poppy, black oil (linseed oil) cooked with litharge or white lead etc. Earlier recipes may omit the mastic and substitute wax It makes oil paint thin, glossy, and easy to work, with an extremely short drying time; and depending on the formulation, the modern, premixed glazes may help produce the sensation of depth, and help the painter by producing transparency that will hold in place rather than running or sagging, while at the same time sidestepping many of the traditional problems associated with Megilp, seeing how the archival quality of the older recipes is much disputed. Some claim the traditional, hand mixed medium causes paint to become yellow and brittle, while others claim that improperly prepared paint is the cause and that the longevity of Megilp (especially in its premixed glazing form) is excellent. * Victor

Megilp description

Megilp also known as Macgilp and McGuilpis is an oil painting medium consisting of a mixture of mastic varnish and an oil medium: such as walnut, linseed, safflower, poppy, black oil (linseed oil) cooked with litharge or white lead etc. Earlier recipes may omit the mastic and substitute wax It makes oil paint thin, glossy, and easy to work, with an extremely short drying time; and depending on the formulation, the modern, premixed glazes may help produce the sensation of depth, and help the painter by producing transparency that will hold in place rather than running or sagging, while at the same time sidestepping many of the traditional problems associated with Megilp, seeing how the archival quality of the older recipes is much disputed. Some claim the traditional, hand mixed medium causes paint to become yellow and brittle, while others claim that improperly prepared paint is the cause and that the longevity of Megilp (especially in its premixed glazing form) is excellent.
* Victor

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